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    • Turborama
    by Emma Cogné Belgium

    Only 1 left in stock
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    €2.178 incl. tax
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    • This is One of a kind
      How is this defined? A singular and unparalleled creation, existing in only one instance with no intention of replication. It may also refer to an original prototype. Conversely, a set of pieces displaying variations in attributes, such as shape or color, within the same collection, falls under the category of an open or limited edition.
    • Can be customized upon request
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    Description

    “Turborama” is a partition that is deployed like a curtain, functional outside as well as inside, as a spatial separator, filter or shadow screen. It is made from an inexpensive and recyclable material, an ICTA Sheath which is durable. The tube, a construction component usually hidden inside walls, is here much more visible. It is created by hand-knotting allowing for variations in rhythms, colors and density, and allowing for placements in many different combinations and dimensions.

    It is designed to cover a surface with a height ranging from 2.50 to 3 meters.

    Weight (kg)

    15
    Production Year

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    About Emma Cogné Visit Showroom →

    Emma Cogné is a French designer who lives and works between France and Belgium, where she graduated from the textile design department of La Cambre in Brussels. Her body of work finds its process in the revaluation and transformation of used materials to highlight their intrinsic value. The textile medium is for her a means to widen the sensorial qualities that are specific to spatiality while engaging the personal experience of users. By showing the bare structures and layers of our houses, she reveals the unique aspects of matter and color as an attempt to reconnect humans to their built environment. Objects and textiles that she makes articulate transitions between the inside and the outside, opening new perspectives and aesthetic materializations of space. Guided by the desire of making, her recent projects are collaborations that focus on the urban and contextual challenges found on the sites where the works unfold. This practice of the field allows her to enable a dialogue between craftsmanship, art, and architecture and is what drives her everyday research.
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